Thursday, January 23, 2020

The Greek Underwood Essay -- History, The Erinyes, Zeus

THESIS STATEMENT The Greek Underworld can be a dark place, especially for those who have angered the gods, where one can see how the punishments often times fit the crime. PURPOSE STATEMENT Throughout this research paper the Underworld is portrayed as a dark place where those who committed crimes are punished for them which can be extremely brutal. INTRODUCTION The Underworld is often times portrayed only as dark place for criminals, which it is, but it’s where everyone goes after death. â€Å"Souls of the dead who carried an ancient Greek coin in their mouths were ferried across another underworld river, the Styx, by Charon, to begin eternity as citizens of his dark kingdom. Those who did not have a coin remained, lamenting, by the riverside.† (Evans 16). The Underworld is where everyone spent the rest of their afterlife. It was a strict place and there was no escaping. Each person was judged when they entered. â€Å"Osiris became king and judge of the dead in the underworld.† (Ingpen, Perham 18). The Erinyes or the Furies are who punishes the people who have committed crime. Virgil is the one who places them as to where they go. â€Å"The Erinyes – or the Furies – were regarded by some of the poets as his [Hades] daughters, and the three (or sometimes four) of them are often shown standing beside his throne. They were of fearsome appearance, often garbed in black cloaks soaked in blood†¦above all those who murdered their own kin.† (Allen 52-3). The Erinyes ruled with the God of the Underworld, Hades. He was the god who controlled everything that went on in the Underworld. â€Å"Hades was seen as a dark and unattractive god, hard-hearted and merciless.† (Allen 52). Hades was not always the nicest god to be around. But he was ... ...ping from them. They spent the rest of their life being tormented. The underworld has different meanings to it. It’s not just a place for punishment. It is the afterlife for everyone. The underworld is where people go after death. There are different ways to go through it depending on the life that person had lived. They have to sail across different rivers. When they arrive, they are sent to be judged on where they will spend their time in the underworld. If they did not live a good life they will be punished for it. If they lived a good life they go to a place that’s like paradise. Some people who committed serious crimes are sent down right away and they are tortured for all eternity. The underworld cannot always just be a place for those who have not lived the way they should have but also a place for those who did live the life they should live.

Wednesday, January 15, 2020

Lucy, by Jamaica kincaid

There are a lot of ways of reading this novel. It could be read, somewhat conventionally, with focus on Lucy, people and places. But if we look into the deep, we’ll see well-marked psychological picture of the young woman, her everyday struggle with herself. In â€Å"Lucy†, Jamaica Kincaid challenges the idea of passive/pathological sexuality in women. Lucy's deepest conflicts and her greatest anger arise from her relationships with her mother and then with her substitute mother, Mariah. Her own family seems fragmented, and in some sense her island community does, as well. The novel itself, however, does seem to connect mother and motherland–the island. That may explain somewhat the intensity of her anger and feeling of suffocation. Her rage against her mother is not simply psychological, an especially strong version of the usual parent-child conflict. Lucy’s relationship to her mother is highly complex; she has very ambivalent feelings about her. She is cruel to her, but also loves her deeply; she hates her and admires her at the same time. Although Lucy constantly discusses her anger toward her mother and Annie’s inadequacy and failure as a mother, she also peppers the novel with tender stories of their interactions. â€Å"I reminded her that my whole upbringing had been devoted to preventing me from becoming a slut.† it is one lesson, which mother gave to Lucy. Lucy describes her mother’s large hands, and her love of plants; she tells us of Annie’s lessons to Lucy about sex, men, and abortion, and of sitting on Annie’s lap as a child and caressing her face. Lucy also proudly shares stories of her mother’s life and her various triumphs. Despite Lucy’s anger toward her mother, she still feels a deep connection to her and identifies with her in many ways. Until she was nineteen years old, Lucy Potter had not ventured from her own little world on the small island where she was born. Now she is living with a family and learning a culture that is very different from her own. Lewis and Mariah and their four daughters want Lucy to feel like she is part of the family but at first she finds it difficult to fit in. She just wants to do her duty and in her off-hours discovers a new world through her friend Peggy and sexuality through young men, Hugh and Paul. Lucy often reflects on her life back on the island; the conflicts between she and her mother, and the British influence on the islanders. She remembers the time her mother showed her how to mix herbs that supposedly would cleanse a woman's womb but what they both knew was an abortion remedy. Lucy knows what is expected of her, to study for a respectable job like a nurse and to honour her family. She finds out that the tidy, neat world of the family she has come to love is not all it purports to be and how silence is a universal language. Lucy comes to North America to work as an au pair for Lewis and Mariah and their four children. Lewis and Mariah are a thrice-blessed couple–handsome, rich, and seemingly happy. Yet, almost at once, Lucy begins to notice cracks in their beautiful facade. With mingled anger and compassion, Lucy scrutinizes the assumptions and verities of her employers' world and compares them with the vivid realities of her native place. Lucy has no illusions about her own past, but neither is she prepared to be deceived about where she presently is. At the same time that Lucy is coming to terms with Lewis's and Mariah's lives, she is also unravelling the mysteries of her own sexuality. Gradually a new person unfolds: passionate, forthright, and disarmingly honest. Lucy leaves the novel crying with shame over her wish to â€Å"love someone so much that I would die from it.† Lucy does love someone that much, but she has thrown that love away because she could not adequately create a space for herself within it. When her mother tells her â€Å"You can run away, but you cannot escape the fact that I am your mother, my blood runs in you, I carried you for nine months inside me,† Lucy interprets that as a prison sentence. â€Å"To myself I then began calling her Mrs. Judas, and I began to plan a separation from her that even then I suspected would never be complete.†   Yet this is a prison sentence that all human beings must face, and Lucy’s way of dealing with it leaves her empty and ashamed at the end of the novel. Indeed, she states, â€Å"I was now living a life I had always wanted to live. I was living apart from my family†¦ The feeling of bliss, the feeling of happiness, the feeling of longing fulfilled that I had thought would come with this situation was nowhere to be found inside me.†

Tuesday, January 7, 2020

Analysis Shake And Stir Theatre Company - 1620 Words

Shake and Stir Theatre Company is a compelling theatrical voice which aspires to render Shakespeare’s plays to appease modern audiences. However, William Shakespeare penned his last play 400 years ago; despite this, his plays and sonnets are as alive today as they were in the 16th and 17th Centuries. Shakespeare’s plays still appeal to modern society because of the universality of the dramatic themes- desire, domestic relationships, the complications of love and power struggles in relationships - humans still experience these emotions and challenges which gives Shakespeare a foothold in modern times (Bruster, 2014). Shake and Stir sequenced together an array of modified scenes from Shakespeare’s most iconic plays, to implore the dramatic meaning that Shakespearean text can be rendered to engross modern audiences while maintaining its integrity and Elizabethan charm. â€Å"Great Shakes† is staged in a graveyard, where three year ten students, Betty, Brock a nd Ben are incarcerated. 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